BACK TO BASICS

BASIC STUFF TO REVISE/REMEMBER:

NARRATIVE PERSPECTIVE
- omniscient
- 1st person – i, me, mine
- 2nd person – like a drama – dialogue
- 3rd person – he, she it – p.o.v of narrator

Changing the perspective defamiliarises the story

EMBEDDING (story within a story)
chaucer, arabian nights, frame/individual stories


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Hola

Here’s the backstory to this blog: last June, I graduated from university, having completed a BA in Comparative literature with a 2:1 (I was only 4 marks off a first! was SO annoyed about that!), got home, had about 4 carloads worth of crap that all got shoved in the garage and I haven’t looked at it since.

I’ve decided to become an artist, and in order to convert my shed into a studio, I’m having to clear all the stuff out of the garage in order to transfer all the crap from the shed into there… I think you get the picture. So all day today, I’ve been trolling up and down a ladder putting stuff in the attic, and right at the bottom of an absolute MOUNTAIN of old pots and pans and folders and bedding, I found a box full of my notes from various books over the past three years, along with some old notes from A-level History (which I failed spectacularly at, but there’s nothing wrong with the notes).

At uni, and being lazy – as in too lazy to walk for 45 mins up a steep hill to get books out of the library- I relied heavily on the internet as a resource for information; and reading other people’s notes and essays and things really played a large part in helping me form my own ideas about.. whatever it was I had to write on, and to be honest, I think I learned more from them than I did from sitting in a two hour lecture playing hangman with the person sitting next to me, while a dusty old professor droned on about Bluebeard and the significance of the colour red.

So. These things are just taking up room in my garage, basically, and they’re of no use to me anymore, but rather than chuck them away, I thought I’d put them up here so that others can get the benefit of the information I’ve collected over the years (and so I can still keep them for reference without them taking up any more room!). I’m the most disorganised person I know so I’ve never really been very good at keeping all my notes in one place, so some things will be fragmented, but I hope the bits and pieces that aren’t will prove to be useful.

I may or may not include some of the essays I’ve done – it depends how much time I have on my hands and how bored I get waiting for my parents to sort THEIR crap out in the garage so I can get a wiggle on with converting the studio, but if I do post them up, feel free to quote me in your work, but please do reference me. And as a note to new students, universities have a special thing where they scan your essays into a database which does a check to make sure you haven’t plagiarised anything, so don’t bother doing a cut n paste job, because you WILL be found out and kicked out of uni (and you’ll probably get more of an arse-kicking if you’re a student in England, because when you hand in an essay, they make you sign an ‘I haven’t plagiarised’ form, so you really would be fucked.

It’s not worth it, just do the work yourself – you’ll learn far more and feel like you’ve actually achieved something at the end of it too.

i’m just working through the mountain of stuff so just putting it up ‘as is’ – many bits are in bits and pieces so if i find, say, another sheet of paper on ‘the golden ass’, i’ll just add it to the entry that already deals with the golden ass.

Like I said, this isn’t like spark notes – it’s not uniformly written down and presented, it’s literally just the notes i’ve scribbled down in lectures and seminars, and things i’ve done while reading books in preparation for essays; so you’re going to have to do the legwork trawling through them yourself- I haven’t the time nor the patience to make it look pretty. The information is there if you want it.

Telling Tales: The Nature of Storytelling: Aesop’s Fables

* Conflicting ideas: each situation requires a different approach
* No tales are to do with morality
* No tales are politically correct
– Times change; so does what is and what is not deemed to be acceptable
– Some stories are dropped from editions because they are offensive eg Hermes’ wagon distributing wickedness: Arabs plundered it which is why there is no word in their language for ‘truth’

*’morals’ of story = survival & wit
Morals change according to society:
– Victorian boy cries wolf – boy gets eaten
– Modern boy cries wolf – boy gets told off for fibbing

HUBRIS – Arrogance (pride comes before a fall etc)
ANTHROPOMORPHISM – Attribution of human characteristics to animals
DIDACTIC MORAL – ‘didactic’ – to instruct

MEANINGS:
Candle and Darning needle = analysis of post-industrial Denmark. Needle = pathetic need to be optimistic – social betterment- self made man etc etc. Needle = one eye = cyclops = blinkered. Loses eye later in story, therefore blind.
EMPHASISES THEME AND REINFORCES MESSAGE

EMBEDDING: needle telling story to a piece of glass about fingers. Not just her who is proud.

Homer, The Teller of Tales: The Flood, Genesis, Metamorphosis, Gilgamesh

CONTENT – the role of nature, gods, animals and humans
FORM – Language, Structure, narrative perspective etc
TOPOGRAPHY – situation of event/setting/earth/water/boat/heaven

THE ROLE OF ANIMALS

GILGAMESH: dove, swallow, Raven [strength] Significant religious symbol

OVID: No birds. Fell into the sea. Sacrificial role = animal = wealth

BIBLE: Clean/unclean animals – noah’s ark

*ANIMALS are not important in Babylonian times. NOT mentioned in GILGAMESH

PORTRAYAL
OVID: V. evocative – shows panic and chaos
BIBLE ordered – shows passengers on a ship

GODS; AND THEIR REASONS FOR DESTROYING MANKIND

GILGAMESH – gods show fear ‘terrified, fled to heaven’
Christian- god = patriarchal society. Old man + beard: kindly but firm.

WHY & HOW

BIBLE: Humans are evil >>> RAIN
OVID: Humans are rubbish & anger the gods. Will try again >>> RAIN & DAMS BURSTING
GILGAMESH:Humans make too much noise >>> fire & water

THE GODS
GILGAMESH: Dickle, prone to mistakes etc – v. human
BIBLE: God = perfect. V. Patriarchal
OVID: Looks after their own – like a parliament in the heavens

THE HUMANS
GILGAMESH: Upnapishtim selected by Goddess
BIBLE: The ‘main man’ = Noah. God chose
OVID: Deucalion & Pyrrha = afterthought: Gods: ‘oh… I… er.. ok’

OVID – METAMORPHOSIS
- Written in exile to prove to Emperor Augustus that he is still the greatest poet ever.
- Is a compendium of all the myths in circulation
- Direct linear relationship between rulers & gods
- INCOHERENT/INCONSISTENT: gods referred to by many different names:
Apollo = phoebus, Mercury = Jupiter & Jove

INTERTEXTUALITY: eg ‘Rebecca’ and ‘Rebecca’s Tale’ – telling a story from a nother point of view.

Apuleius- The Golden Ass

THEMES:
-understanding femininity
- sexuality and animal sex
-treatment of animals
- egyptian gods vs roman gods

IRONY: begins by seducing women, ends up worshipping women
Learning lessons

Importance/significance of Cupid & Psyche.
Attitudes towards Christianity p155 in this edition – reference to one God.

CHAPTER SUMMARY

BOOK 1
Aristomenes tells Lucius of his tale with Socrates, Meroe & Panthia. Lucius goes to stay with Milo

BOOK 2
Lucius meets up with Byrrhena (his aunt) & is warned about Pamphile (Milo’s Wife) shags Photis, the maid, Milo’s tale and Thelyphron’s tale

BOOK 3
Lucius is set up in a mock-trial for the God of Laughter. Photis confesses. Lucius turns into an ass.

BOOK 4
Lucius is kidnapped by robbers. robbers tell tales and bring back Charite (young girl) who they stole from her wedding. Old woman tells tale of cupid and psyche to comfort her.

Book 5
Cupid and psyche continued…

Book 6
Cupid and Psyche still continued…
Back to robbers. Lucius attempts to escape, old woman grabs him, girl comes to his rescue and they both gallop away. Recaptured.

BOOK 7
Charite’s hubby, Tleptolomous (disguised as a robber) comes to rescue her (they were wanting to kill Lucius and sew Charite up inside him and leave her to die). Lucius and charite saved. lucius set fere as reward. Stableman’s wife steals him and abuses him

Book 8
Charite is dead. Thrasyllus (jealous ex) kills tleptolomous in a hunting ‘accident’. Tlep goes to charite in a dream, tells her what hapened. she pokes Thras’ eyes out, runs to hubby’s grave and kills herself. Thras wakes up, finds out what happened and starves himself to death. Slaves flee and take lucius with them. Stop @ a village and hear a story about a slave who got above his station. Lucius is auctioned off to a bunch of trannies. Takes it up the arse p143. Gay scene p145. They go to stay with some rich guy.

BOOK 9
Next story at in inn is of a cuckold (jars) lucius is up for sale (again) bought buy a miller and his old harridan of a wife. lucius exposes the wife’s lover. miller serves her with a divorce notice. wife gets a ghost to kill him. miller found hung. lucius sold. again. to a poor market gardener. go to posh guy’s house. posh guy dies. gardener leaves, beats up soldier who accosts him for lucius, goes into hiding, lucius gives him away. he gets locked up.

BOOK 10
Lucius now belongs to the soldier. soldier has 2 sons. stepmum *likes* son. he isn’t interested. gets slave to poison him. her own son comes back and drinks the poison. she accuses/blames her stepson because ‘she wouldn’t let him rape her’. big trial. all say guilty. stepson’s tutor leaps to his defence. he sold slave fake poison (narcotic) because he was suss of him. woman exiled, slave crucified, lucius sold AGAIN to 2 cooks. master gets lucius to eat with him because he is entertaining. woman hires lucius for sex from slave. slave tells master. master finds it funny and wants lucius to ‘perform’ in public with a whore. lucius – anti-the whore chosen and scarpers. lucius purifies himself and pleads with isis to return him to his normal shape. she does and he becomes her servant (priest)

FIN.

ELEMENTS:FAIRYTALE AND OTHERWISE
* not fable – can’t speak to, or understand animals while his is in ass form
- book 7
* biblical and well… not biblical, but religious – isis = egyptian goddess – mother of goddesses
book 10 – appears before lucius and all her symbols- wheat etc.

- Cupid & psyche
- recurring theme: Sex & curiosity = BAD
Metamorphosis
Magic

ARTISTIC AMBITION

Born 125 AD, North Africa
Sent to Carthage (roman north africa)
Then to athens
was a priest in carthage
success @ public speaking – road to fame

purpose – to entertain
Quote: give me your ear, reader: you will enjoy yourself. Book 1

narrative is bulked out by stories heard by lucius both before and after his metamorphosis (books 1-10: anecdotes make up 60% of the book)

Lucius is a mask for the author himself

Book 11 seems out of place and not really attached very well. very serious & anti-climactic. what was the purpose of this?

Show that egyptian gods are better than roman gods.

not written as a social history but is broadly realistic. eg large landowners with retainers etc.

World presented = grim. motivated by deceit, spite, greed and lust.

Original title = metamorphosis ‘transformations’ – a tale of changes of shape and vicissitudes (changes – esp of fortune) of fortune shows an affinity to ovid’s poem of the same name

lucius = ‘golden ass’ = ironic. to Isis, in her cult, the ass (seth -Typhon) is a hateful beast who killed her husband, Osiris

The reader makes moral judgements on lucius behalf – he lives it, we learn from it.

content/style – some things are dragged out for entertainment eg the woman who tried to poison her stepsson – why didn’t the doctor tell the truth straight away – why let the trial drag out for so long first? ENTERTAINMENT why not found out what a a thief? ENTERTAINMENT

THEMES

CURIOSITY – getting him into trouble continually

SEX – true love – cupid and psyche
estranged love – charite & tleptolomus
lust – lucius and photis
homosexuality – the queens
revenge – miller raping his wife’s lover (sodomy)
desire – woman + lucius
urge – man + lucius
spectacle – lucius & prostitute
perverse – stepmum/stepson
infidelity – miller & old man with jars.

MAGIC
- city = renown for witchcraft which is what draws lucius there in the first place
- pamphile – witch
- meroe & panthia = witches
- witches seen to be bad
- Byrrhena’s friend, theylphron’s tale of spirits that stole his eyes/deformed him

WOMEN
wiches are al women and all mean. witches change their shape
women have a vendetta against men
women are not to be trusted
women (eg venus est) = vindictive
women will be unfaithful
BUT
women have the power – isis
charit/psyche/photis women are there to be seduced.#women will always prostitute themselves
women are immoral

METAMORPHOSIS
into an ass
from seducer of woman into worshipper of women
from posh (human) to trash/slave (ass)
people change in their views

MESSAGES
do not trust blindly
look before you leap
let not curiosity get the better of you
do not act before thinking of the concequences
people are not always what/who they seem to be
if someone CAN exploit you, they WILL

QUOTES:

BOOK 1
“Being in any case an all too eager student of the remarkable and miraculous, and remembering that i was now in the heart of Thessaly, renowned the whole world over as the cradle of magic arts and spells and that it was in this very city that my friend Aristomene’ story had begun” -p22

BOOK3
“officers of the court led me like some sort of sacrificial victim out across the stage and placed me in the middle of the orchestra” p41 (he was a sacrifice to the god of laughter – his sacrifice was his dignity, not his life)

“nothing he could say or do could alleviate my feeling of outrage at the indicnity i had suffered so feeply had it sunk into my heart” p45 (the first of many)

“the only redeeming feature of this catastrophic transformation was that my natural endowment had grown too”

BOOK 4
RE: psyche: “I’ll see to it that she regrets this beauty of hers to which she hwas no right ” p73

BOOK 5
” you aren’t really rich if nobody knows you are” (psyche’s sisters)

“gods and men alike will find it intolerable that you spread desire broadcast through the world, while you impose a bitter constraint on the love in your own family and deny it admission to your own public academy of gallantry” (ceres and juno defending cupid)

BOOK 6
pandora’s box type occurance – cupid says to psyche “poor wretch… you see how yet again curiosity has been your undoing” p104

BOOK 7
“the learned men of old… knew what they were talking about when they envisaged and portrayed Fortune as totally blind. It is invariably in the wicked and undeserving… that she bestows her favours. Her choices are never grounded on reason, indeed she goes out of her way to freqent the company of those she ought to avoid like the plague if she could see” p112

“as soon as she saw Haemus and heard what they were saying about pimps and brothels, she became elated and began laughing merrily. That, i felt, justified me in condemning the entire female sex, when i sw this girl who had pretended to be in love with her betrothed and to be pining for a chaste marriage, now delighted by the mention of a filthy sordid brothel. at that moment, the whole race of woman and the morals hung in the balance, with an ass holding the scales” p117

BOOK 8
“will you please our masters and bring relief to my exhausted loins” – man to lucius p145

“they brought back with them to share their dinner, a robust young peasant fully equipped in loin and groin…. the young man was stripped and laid on his back, and crowding around him they made repeated demands on his services with their loathesome mouths’ p145 (gay orgy)

BOOK 9
“speaking for myself, i am devoutly grateful to the ass that i once was, for it was he, when i was concealed under his hide and was buffeted by so many tribulations, who rendered me, no wiser, i must admit, but very widely informed” p154

Re Myrmex: “she, fickle like all women, acted in character and agreed to sell her honour for the accursed metal”

Book 10
“what pleased him most of all was that in me he had both a companion and a conveyance” p184

EMBEDDING

LUCIUS STORY = THE FRAME

1. ARISTOMENES – socrates tells of his ruination – aristomenes socrates, meroe and panthia
2. THELYPHRON (at Byrrhena’s ) p38 – dead man brought back to life tels what happened when Thelyphron went to sleep
3. PHOTIS – what happened with the goatskins
4. ROBBERS – their exploits
5. OLD WOMAN – tells the tale of cupid and psyche to charite
6. TLEPTOLOMUS (as Haemus) – tale of escape from soldiers etc. a ruse to save charite
7. SLAVES – tells story of charite’s death
8. OLD MAN / Serpent – tells tale to lure bait
9. SlAVE – woman has an affair with a slave 0 her hubby finds out, she kills herself and the kid and he kills the slave
10. ARETE & MYRMEX – the guy who leaves his sandals under the bed
11. AT AN INN – man with jars cuckolded
12. MILLER tells of his friend’s wife’s infidelity
13. LUCIUS tells the story – stepmum and stepson
14. A WHORE for lucius – finding the prostitute – also told by lucius

1001 Arabian Nights

Embedding – story within a story
1001= a lot… and then some!

SUPERIMPOSITION-
go to bed, have sex, tell story
make love [sex] make life [baby] make art [story]

MORAL: if men and women aren’t getting on, they should go to bed and talk

Parallels to Shaherazade: telling stories suspends death. Absence of narrative means death

doctor, christian, jew, married couple etc – all are cardboard figures. All are flat stereotypes.

ARABESQUE: repetative patterns – carnival aspect of literature and fantasy

CHAPTER SUMMARY

THE STORY OF KING SHARYAR AND HIS BROTHER
- 2 brothers whose wives betray them
- Woman, jinnee, rings
-Agree to never stay married to a woman long enough for her to betray them

THE TALE OF THE OX AND THE DONKEY
-vizir warns Shaherazade against marrying Sharyar. Demonstrates his point with OX and DONKEY story:
-ox envies donkey’s easy life. Donkey tells him if he pisses around, he’ll be left alone. ox does, and donkey has to do his work. Allah grants the farmer ability to understand animals if he tells his secret, he dies. His wife is harassing him and learns from a cock how to treat women ‘properly’. Shaherazade marries Sharyar

THE TALE OF THE MERCHANT AND THE JINNEE
man accidentlly kills a jinnee’s son by chucking a date stone at him. 3 sheiks barter for his life: junnee gives them 1/3 of the man’s blood if he likes their stories:
1st sheik- cow confusion – gazelle
2nd sheik- dog brothers – dogs
3rd sheik – wife enchants him – mule

THE FISHERMAN AND THE JINNEE
man finds a bottle on beach – opens it – jinnee comes out and says he has to kill him. fisherman tricks him back into the bottle. jinnee tries to get him to let him out again. fisherman tells of the tale of the Kin Yunan and the Sage Duban
1. KING YUNAN AND THE SAGE DUBAN
king whose lerosy was cured by playing polo. Evil vizir tries to persuade king duban =bad. king says he is talking nonesense and is just jealous like King Sinbad
2. THE TALE OF KING SINBAD AND HIS FALCON
King sinbad on hunting trip – wanted drink but his falcon kept knocking it out of his hands. he injured it, but realised it was trying to tell him the drink was poisoned. it died and sinbad felt very guilty for killing it
- back to king yunan 3: THE HUSBAND AND THE PARROT (basically chaucer’s miller’s tale)
- back to king yunan 4: THE PRINCE ANDTHE OGRESS.
prince on hunting trip, finds maiden, follows her. she turns
out to be an ogress trying to lure him back to her lair to
eat him. prince scarpers
- back to yunan
- back to FISHHERMAN AND JINNEE
fisherman caves in; jinnee gets him to cast his nets. he catches fish and jinnee tells him to take them to the king. in return, the kind will make him wealthy. Fish talk. Black man bursts through wall. Asks them if they’re keeping their pledge, and then upsets the pan. King gos to place where fish were caught. finds 1/2 man, 1/2 statue who tells his tale

5. THE TALE OF THE ENCHANTED PRINCE
- wife drugs him every night and shags a black slave. he wounds the slave when wife is away. wife goes into mourning. turns prince half to stone and tortures him every night

- Back to fisherman – 6. KING’S TALE
king toes and kills the slave and poses as him. tells woman to release spell over prince. spell of lake and its people is also removed. much rejoicing. prince marries fisherman’s daughter (it was thanks to the fisherman that his kingdom was liberated) etcetc and they all lived happily ever after.

7. THE EBONY HORSE
king wants to trade daughter for a flying horse (wood) prince Kamar-al Akmar (her bro) = livid. Flies away on horse. 2 buttons: 1 up, one down. learns to control it. makes a pit stop at a palace. falls in love with a princess and wants to marry her. tells his dad. Quote p85 “by Allah if my son returns home to me, i’ll destroy the horse so that he’l be forced to stay on the ground where he belongs and i won’t have to worry about him anymore”
princess pays a visit to her future inlaws. sage kidnaps her and horse. flies to Greece. captired by King. Sage imprisoned. King fancies Princess. Kamar al Akmar = on search. disguises himself as a doctor. says he will gure her (she is acting mad) says he needs horse to cure her. king says ‘whatever’ prince flies off with her. they marry, the horse is destroyed and they all live happily ever after.

8. ALI BABA AND THE FORTY THIEVES
hids in a tree, see thieves go into cave with treasure. he does same ‘open sesame’
ali’s sister in law is curious about what ali’s wife
wants to weigh gets coin imprint in wax on scales. kasim threatens ali with the police if he doesn’t let him in on the secret. kasim caught and killed by theieves. ali tells kasim’s wife he’ll marry her to show she’ll be cared/provided for;. Morglana (slave) does all the dirty work – tidying up all the loose ends, ketting kasim sewn back together and buried etc (baba mostafa)
robbers on a hunt for their stuff enlist baba mustafa. marks on door – morgiana finds and marks all doors x2. hide in jars. 1 goes to see ali and would give signal to others. disguised as oil merchant. morgiana uncovers plot. she heats up oil and pours it into jars – thus killing robbers. leader finds out and scarpers. bury corpses (secret leader sets up shop in market. befriends ali’s nephew invided back for dinner. morgiana recognises him, dresses up as a dancer and kills him (with a sharp ceremonial knife) ali gets his newphew to marry her.

9. ALADDIN AND THE MAGIC LAMP
gets set up with a job as a merchant by his uncle. goes on treasure hunt. instrucet to get lamp. aladdin can’t get out because weighed down with gems. moor (uncle) thought = insolent so locked him in the cave. Jnnee appears – Aladdin gets out. uses jinnee for food and sells the platters to a jew (who cheats him) for income. old jewller tells aladdin ” jews do not repsect the laws of the moslems and are always cheating them ” p148
sultan’s daugter visits town. Aladdin dalls in love. his mum thinks he’s insane “who would ever dare ask a sultan to wed his daughter to the son of a tailor!” she goes to the king, asks, shows him the jewells, king says ‘ok’ vizir miffed because the princess is promised to *his* son. king breaks his promise to aladdin. aladdin gets jinnee to bring the two to him in their bridal bed. he shuts the vizir’s son in the toilet and sleeps in the same bed as the princess (nothing indecent happened) in the morning, he gets the jinnee to take them back. she tells her mum what happened. same thing happens the next night. marriage is dissolved. al’s mum reminds the sulatan of his promise. he sets al a challenge. aladdin passes test with flying colours: uses jinnee to get whatever he needed/desired. king agrees to marriage. everylone loves aladdin – allah in heaven, aladdin on earth etc. moor returns gets lamp has 40 days to find her and bring her back or the sultan will kill him. aladdin finds wife and house (ring jinnee) drugs and kills moor and all goes back to normal. moor has evil brother. persuades princess palace needs a rukh egg. aladdin gets jinnee to get it. jinnee has a hissy fit p208 as the rukh is is histress. but pardons Al because he didn’t know. he tricks the moor’s bro by pretending to have a headache and then kills him. and they all lived happily ever after.

Straparola & Basile

The Decameron [deca=100, so decameron=100 stories] Giovanni Boccaccio [Florence 1348- great plague]

*CHAUCER PLAGIARISED FROM THIS*

Written in VERNACULAR (local lingo – not latin)

STRAPAROLA deals with taboos (snake in womb etc)
Basile colloquial – enjoys the Italian language and ridiculousness

Charles Perrault – Mother Goose

After dinner entertainer
cleaned up folk tales for the polite ears of high society

Ancients v moderns} sources used = Vernacular

SLEEPING BEAUTY
– Fairy goddess of strife from Troy
– Ogre mother figure symbolising venus – cupid and psyche

CINDERELLA
– Universal story (Egypt 1st century BC = original)
– fairy godmother represents dead mother

RED RIDING HOOD
– young girls think they can get a rich old lord and get into cour by being provocatively dressed. Angela Carter – ‘come and get me’ red coat attracts wrong kind of attention, mother decking child out in risque clothing.

COMMON THEMES IN FAIRYTALES:
evil stepmother, good fairy, castle, objects that transform/that transform things eg wand, coach and rats etc

BLUEBEARD -Perrault vs Grimm

- powerful & evil suitor
- emphasise prohibition
- series of female victims
- a bias within academic scholars & against female start of story

SOCIETY
Based on Gilles de Rais? (real dude in 1440) – a common theory, but no provable evidence
-Writers try to connect to and exorcise crimes/redeem bluebeard
-similar tendencies found in mythological and socialogical things

WOMEN
bluebeard is not to blame. woman is [charming!] Gustave D’Orcay 1867, Watter Crae, Arthur Rackombe 1900ish }seduction/abandonment of duty of women.

LOCATION = a mystery. “Quasi pseudo erzat medieval german past. weird and eerie”

SOCIAL CONTEXT
Grimms locate story in a forest. Emphasis on a different family structure, female protagonist= sole woman, luebeard = altered: no reference to missing wives. Makes brides fear seem disproportionate. Grimms = fantastical throughout, not as realistic as Perrault. makes it timeless.

RUSSIAN FAIRYTALES

Louis XIV 1670 – 1730
1830 – Afa’nas’ev dedicated his life to collecting russian fairytales like the grims, but determined to write them down faithfully and not change and/or embellish them like the Grimms. Not so much of a writer as a folklorist

Ending of crystal mountain and the golden slipper = ‘pay me!’ because it is embarrassing to have to ask for money, he makes a joke of it.

Magic objects are basic – eg a shirt, shoe, etc. not rings and lamps like 1001 nights.

frog princess = animal lover

tom thumb – went it up as he went along with well known tropes

ALL: fantasies are about basic wants/needs.

VLADIMIR DROPP- Morphology of the folk tale

parts of a whole and how the parts combine to make the whole.